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It’s not that hard to hear what you need to do [for the arrangement], because he is so dynamic in the way he expresses himself in a song. You go to the studio and try to figure it out and it just happens. It’s hard to explain. But also he has a very unique voice that really sounds good on its own, so we really had to keep the music back a lot; we really had to make space for his voice. I think that was the key that earlier on we understood. Like, if this is gonna work, we need to keep it stripped and focus on Abel’s voice.
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Promoted Songs
It’s an unreal feeling when you can connect with your own song even though you’ve heard it 10,000 times during the process, you should be tired of it. Like, if it still gives you those emotions after 10,000 times, then maybe it’s good. When you hear [Abel], it’s a blessing, you know?
Which album is the song Moth To A Flame from?
We’ve probably heard [“Moth To A Flame”] 6,000 times, and it still gets me. I was in the car on my way to the studio and I was like… When you actually cry to your own music… it doesn’t happen with every song, but when it does, that’s like a mind-fudge, like a warp zone. I’m crying to a song like somebody else made it, but actually it’s us who made it.
Know any other songs by Swedish House Mafia? Don't keep it to yourself!
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